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In this undated photo provided by the Houston Grand Opera, Melody Moore as Marta, left, and Michelle Breedt as Liese, perform during a dress rehearsal of the opera, "The Passenger," in Houston. "The Passenger" is the darkest of operas, a powerful and unrelentingly grim work that dares to grapple with the horrors of the Holocaust through a musical descent into Auschwitz. (AP Photo/Houston Grand Opera, Lynn Lane)

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In this undated photo provided by the Houston Grand Opera, Melody Moore as Marta, center, sings during a dress rehearsal of the opera, "The Passenger," in Houston. "The Passenger" is the darkest of operas, a powerful and unrelentingly grim work that dares to grapple with the horrors of the Holocaust through a musical descent into Auschwitz. (AP Photo/Houston Grand Opera, Lynn Lane)

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f67c7815ccf9c7044a0f6a7067002a3a.jpg

In this undated photo provided by the Houston Grand Opera, Melody Moore as Marta, left, and Michelle Breedt as Liese, perform during a dress rehearsal of the opera, "The Passenger," in Houston. "The Passenger" is the darkest of operas, a powerful and unrelentingly grim work that dares to grapple with the horrors of the Holocaust through a musical descent into Auschwitz. (AP Photo/Houston Grand Opera, Lynn Lane)